The San Francisco Film Noir Festival
Friday January 26th-Sunday February 4th, 2007
The Castro Theatre
San Francisco, CA
For a complete listing of the screenings go to:
http://www.noircity.com/noircity.html
More Noir City 5 Articles:
http://www.siffblog.com/reviews/descent_into_darkness_003621.html#more
http://www.siffblog.com/reviews/why_is_everyone_so_sarcastic_003633.html#more
So what if you have to double cross your war buddy and take all the dough from the heist you've planned with him for months? Or embezzle a small fortune from your boss? Or maybe knock off your unwanted spouse and collect the insurance money? Won't it be worth it to sit at the historic Castro Theatre for ten glorious days and watch twenty films about people like you, people that had the guts to grab for what they want? Of course, you might want to remind yourself that most of them wound up dead. But won't it be worth it? After all she might be there waiting for you.
Yeah, she will be there, Marsha Hunt, star of RAW DEAL and KID GLOVE KILLER. Wouldn't you like to meet her at the reception? Watch those two classic films with her? Hear all those great stories about the making of the films, about her career and about those days in Hollywood? A dame who had to struggle against black listing in the fifties could probably teach a punk like you a thing or two about life. Richard Erdman will be at the festival too. He'll be grilled on stage about his role in CRY DANGER.
We're not talking about any twenty film noirs. Go ahead watch the same old movies in your cramped little apartment while the rain beats monotonously against the windows till you snap. Miss more then twelve films that have never been released on VHS or DVD. No one thought I WALK ALONE would see the light of day again. But there it will be on the big screen. A 35mm archival print of it surfaced sort of like that body you thought you buried so long ago. Then there's the new 35mm print of I LOVE TROUBLE struck especially for Noir City Five. Do you have any idea what programmer Anita Monga had to go through to get that print? To get restored 35mm prints of THE BIG COMBO and THE SPIRTUALIST? All so you could see them in their full black and white glory on the big screen. Don't you think you owe her something?
If all this won't convince you then there's just this. Wouldn't it be great to watch these films, even the ones you've seen before, on the big screen with a bunch of other movie lovers and listen to Eddie Muller, founder and president of The Film Noir Foundation and author of DARK CITY, tell you a thing or two about them. You may have caught him at SIFF last year when he brought us Seattleites two great and rare film noirs, THE MAN WHO CHEATED HIMSELF and THE WINDOW. He also taught us a lesson. Film noir boils down to this, "people who know they're doing the wrong thing and do it anyway." So do what it takes, and get your self down to San Francisco and spend ten days watching other people destroy their lives.
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